Selections from Sight, Sound and Movement

"There is a Japanese visual art in which the artist is forced to be spontaneous. He must paint on a thin stretched parchment with a special brush and black water paint in such a way that an unnatural or interrupted stroke will destroy the line or break through the parchment. Erasures or changes are impossible. These artists must practice a particular discipline, that of allowing the idea to express itself in communication with their hands in such a direct way that deliberation cannot interfere. The resulting pictures lack the complete composition and textures of ordinary painting, but it is said that those who see will find something captured that escapes explanation. This conviction that direct deed is the most meaningful reflection, I believe has promoted the evolution of the extremely severe and unique discipline of the jazz improvising musician."

- Bill Evans 1959

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